-
Metrópoli
$9,500.00 -
Así en la tierra como en cielo
$9,500.00 -
Supernova
$9,500.00 -
La Belleza de la basura espacial
$9,500.00
Lizzy Magariños
He was born in Montevideo, Uruguay, and divides his time between Montevideo and Punta del Este. He took art and painting classes at the iconic Torres García School and completed his training in the visual arts under the guidance of teachers such as Clever Lara, Rogelio Osorio, and Rodrigo Fló, among others. He identifies with abstraction, and his works express, through forms, symbols, and colors, different emotional states linked to reflections of contemporary life.
SELECTED EXHIBITIONS
2025 “Union Atellier,” Punta del Este, solo exhibition
2024 “Women Artists,” MACA Collection, Atchugarry Foundation, Uruguay
2024 “Habitar el plano,” Cosentino Málaga, Spain. Group exhibition
2024 “Tempo,” Espacio Mataojo, Uruguay, group exhibition
2023 “La Roca” Gallery, Punta del Este, Uruguay, solo exhibition
2022 Torres Garcia Museum, Montevideo, solo exhibition
2022 Art and Design Week, Punta del Este, group exhibition
2021 “Cósmica,” Montevideo, group exhibition.
2021 «No estás solo», Salon Am Moritsplatz, Berlín, Alemania, exposición colectiva
2020 Penticton Art Gallery, British Columbia, Canada
2019 “Pixeles” Group Exhibition, Montevideo
2018 Campo Art Fest Group Exhibition, Pueblo Garzón
2018 MACA “Pablo Atchugarry Foundation” Solo Exhibition
2017 “Campo Art Fest” Group Exhibition, Pueblo Garzón
2017 “Imago Mundi” Luciano Benetton Collection
2017 “Ghierra Intendente” group exhibition, Punta del Este
2016 Galleria Diana Saravia, “Paths in the Air” (solo exhibition)
2014 Iturria Foundation, “Immersion,” group exhibition
2012 ORT University, Montevideo, group exhibition
2010 “DC ArtCenter,” Washington, D.C., group exhibition
THREE PERSPECTIVES IN DIALOGUE
“Art must be based on a structure; that structure is geometry”
Joaquín Torres García, Constructive Universalism, 1944.
The exhibition is part of a central tradition in Uruguayan art, in which
geometry is not merely a formal device, but a language capable of articulating
thought, experience, and meaning.
The exhibition brings together three contemporary artists—Javier Bassi, Judith Estela
Britez Di Sano, and Lizzy Magariños—whose careers, though diverse, share a
common interest: exploring the possibilities of geometric language as a space for creation.
Torresgarcia’s legacy is not presented here as a literal reference, but rather as
a common thread shared by the three artists.
The idea that geometry can be a spiritual language, that structure can
contain meaning, and that a work of art can function as a field of relationships
between matter, sign, and thought, runs through the works
of the artists featured in this exhibition in various ways.
In contrast, Lizzy Magariños introduces a more symbolic and narrative dimension.
Her painting occupies a realm where the abstract and the figurative intertwine through symbols,
words, and fields of color. Influenced by Buddhist practices, her creative process is
deeply rooted in inner experience.
In this sense, the use of blue takes on central significance; more than just a color, it functions as
an emotional and spiritual space, a realm of depth from which
forms and meanings emerge.
Giulia Ampolini
Leave a Reply